Well, a couple of paintings from a recent batch ended up going to forever homes before I had time to post them here! Better get a few more up before the next show takes them away (I hope). Though there are a few I wish I could hang onto for a while before they fledge the nest.
I realize it’s been awhile since I’ve specifically posted a ‘Newer work’ post. This one is from a new batch, and a little different than many of my other refractured watercolor/acrylic/poetry pieces in that I put the poetry on the acrylic in places obvious to the viewer, rather than hidden in the clouds. I’m looking forward to seeing the reaction on this one when I take it out for the first time this weekend.
…to cut up a perfectly good watercolor skyscape and refracturing it into something more. This one is going to really hurt.
Over the winter I have been teaching an intermediate watercolor class at a gated community in La Quinta. I’ve done a number of exercises that have produced multiple paintings in a category that I don’t usually sell work in. Now that the classes are coming to an end, I have a set of perfectly good paintings in a box kicking around the bottom of the studio. So, Etsy time! Here are three paintings I put up this morning, ready to go to a new home for a reasonable price. $80!
My intermediate watercolor class at Trilogy gated community is dwindling as many snowbirds fly north. Nevertheless there were a few for this Monday’s class and we painted a nursery scene, based on a couple of stuffed animals that hide in my cupboard on a little rocking chair that was once the subject of a commission.
The class all did a great job, though I think they perhaps started to understand the benefits of working in a larger format – some of their paintings had some really tricky tiny details to achieve.
One of my students who enjoyed my watercolor collage workshop also mentioned that she has a Sizzix machine. This is a hand-run press with embossing templates. Immediately we both saw the possibility of adding this texture to my refractured watercolor work. Last week I created a new painting for a refracture:
… and yesterday when she was at sm’Art studio for a follow-on lesson to my Absolute Beginner’s class. she loaned it to me again to emboss the pieces I had cut. This is what they look like so far!
I’m looking forward to seeing how this works out when I assemble them. Watch this space!
A couple days ago one of my Absolute Beginners students came to the studio for some follow-up lessons. She had been practicing in the intervening year and had also bought some books containing lessons. They were fine books and she had learned a lot from them as you can see from the work she produced that she showed me.
Nevertheless, if a picture is worth a thousand words, and a youtube video a million, then sometimes a little bit of extra in-person instruction is priceless. Sometimes I’ve shown students the difference between the brushstrokes they’re making and what they need to do to get the effect they’re aiming for by making the two types of brushstroke on their inner arm. Often it’s also picking up on the slight difference between to two in order to guide them.