Here are the images I submitted. One of the nice things about this type of competition is that I can submit pieces that are in their forever homes – which is useful when there’s a theme that I don’t have much current work that fits it.
“Wavecrest”. That little wave on the right was actually a happy mistake
“Movement, stillness”. This was born from leftover pieces from a commission.
Well, a couple of paintings from a recent batch ended up going to forever homes before I had time to post them here! Better get a few more up before the next show takes them away (I hope). Though there are a few I wish I could hang onto for a while before they fledge the nest.
#1353 New Umbrella. Mixed media on panel. 9×12″ $90. Ready to hang and very shippable!
I realize it’s been awhile since I’ve specifically posted a ‘Newer work’ post. This one is from a new batch, and a little different than many of my other refractured watercolor/acrylic/poetry pieces in that I put the poetry on the acrylic in places obvious to the viewer, rather than hidden in the clouds. I’m looking forward to seeing the reaction on this one when I take it out for the first time this weekend.
#1351 “Heaven’s Gate”. Mixed media on panel, 14×11″. Inscription reads: Hevean’s gates have bars. You can see in but you can’t go there yet.
Over the winter I have been teaching an intermediate watercolor class at a gated community in La Quinta. I’ve done a number of exercises that have produced multiple paintings in a category that I don’t usually sell work in. Now that the classes are coming to an end, I have a set of perfectly good paintings in a box kicking around the bottom of the studio. So, Etsy time! Here are three paintings I put up this morning, ready to go to a new home for a reasonable price. $80!
My intermediate watercolor class at Trilogy gated community is dwindling as many snowbirds fly north. Nevertheless there were a few for this Monday’s class and we painted a nursery scene, based on a couple of stuffed animals that hide in my cupboard on a little rocking chair that was once the subject of a commission.
The class all did a great job, though I think they perhaps started to understand the benefits of working in a larger format – some of their paintings had some really tricky tiny details to achieve.
One of my students who enjoyed my watercolor collage workshop also mentioned that she has a Sizzix machine. This is a hand-run press with embossing templates. Immediately we both saw the possibility of adding this texture to my refractured watercolor work. Last week I created a new painting for a refracture:
… and yesterday when she was at sm’Art studio for a follow-on lesson to my Absolute Beginner’s class. she loaned it to me again to emboss the pieces I had cut. This is what they look like so far!
The two on the left are our original test to see if the watercolor paper would emboss nicely. The rest are the refractured watercolor.
I’m looking forward to seeing how this works out when I assemble them. Watch this space!