The other half.

One of the silliest things I didn’t do on Wednesday when Christine Lamb was setting up her half of our show at the Glass Outhouse Gallery was to take some photos of her half of the gallery.  Yesterday at our reception I corrected that.

Christine Lamb at the Glass Outhouse Gallery

Christine’s Jewelry. Many of the items are made with upcycled denim.

We had a two-person bad perform for us Hunter and the Wick’d for the afternoon and had quite a few people drop by, or come in from the advertising.

Christine Lamb at the Glass Outhouse Gallery

I really like the painting on the right at the end wall.

I sold two small paintings and Christine sold some earrings and a clock.

Christine Lamb at the Glass Outhouse Gallery

Christine doing some inventory. The clock on the left didn’t last long!

I really fell for this little gallery and was quite jazzed to have been offered a last-minute show due to a cancellation.  The artist who was to have been at this show turned up.  She had cancelled because she had torn her rotator cuff on the side she uses a crutch – double whammy.  She was doing a lot better now and is looking forward to showing at another time.

Christine Lamb at the Glass Outhouse Gallery

Bookwork is so much part of our job!

I also got to meet Jaymie Arquilevich with whom it’s planned I’ll have a 2-artist show in 2018.

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Center for Healthy Generations.

Skyscapes for the Soul in Yucca Valley

Art and yardsale items. This is a first for me. I wanted to buy one of the hats, but I wasn’t allowed.

I was accepted to have a month-long solo show in what is considered an ‘alternative’ space – i.e. not a regular gallery. This is the Center for Healthy Generations in Yucca Valley. It’s quite an active center with a pretty full schedule of activities. When I arrived to hang my work, Darla, my handler – said there had been some dissent over the time of my hanging because they were setting up for an indoor yardsale on Friday.

yvhlc2That was the bad news,  the good news being that lots* of people would see my work. Right behind the yardsale items. I had to stand on the tables and tiptoe between the partially completed display of yardsale items to hang my work. Fortunately I did not stand on the hands of the lady below me trying to arrange items while I trod between them.

yvhlc3Then there’s space on the other wall for two large paintings. Here, my progress was hampered by the fact that a yoga class was in session and I had to wait until they’d finished before we could put the last two paintings up.

Yes, there’s going to be a lot* of people who see my work in the next month!

Falling between the cracks in cyberspace

….. there went the link.  The link to the actual youtube video.  No, I have no idea what happened in the mailchimp world, but here is the actual functional video link!

Newer work #66

Had the inspiration to put a little land in this one.  And of course, trees always reach up to the sky.

Refractured watercolor painting

#1249 Three trees on the hill, Refractured watercolor on foamcore 10.5×8″ in mat to fit 14×11″ frame. $105.

Forever home

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“Tranquility with tree”

Last month, from my show at 29 Palms Gallery, I sold a painting that went to its forever home in Wisconsin.  “Tranquility with Tree” has a special place in my heart – my some-times art dealer Rick Pantele and I put a 5×10 foot giclee version of it into an office at Kaiser Permanente.  Tranquility with Tree also spent about two years in the Pioneer’s Museum in Imperial.  I had stopped taking it to shows as it was my last framed piece, and the last one in a series is always the hardest one to sell.  So I was delighted it sold a couple weeks after coming out of the museum, from a gallery where it got to hang on its own little wall and didn’t stand out like a sore thumb.

foreverhome

In shipping it to Wisconsin, I got to talking to the client – whom I have not met – and he kept in touch through the reframing and sent me a picture of my baby in its Forever Home.  Then he ordered a commission painting to go with it!  The sibling went out in the mail today and I will hopefully have a portrait of the two of them together in due course.

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“Joshua Evening”

 

Yucca Valley Presbyterian Church

I’m always open to shows in unusual spaces.  I had the opportunity to show work in this church and had a silly thing happen when I went to set it up.  I had agreed to meet one of the deacons, David, at 9am on the appointed day.

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Three little paintings surrounding the white board in office meeting room, Yucca Valley Presbyterian Church.

I arrived with 10 minutes to spare, so parked in the parking lot and got out and went round the church and confirmed he was not there – all doors were locked and mine was the only vehicle in the lot.  So I waited.  And waited.

Paintings in office meeting room, Yucca Valley Presbyterian Church.

Paintings in office meeting room, Yucca Valley Presbyterian Church.

Half an hour later I started to get concerned so I called him.  It turned out he had approached the church from the other side, parked round the corner where I couldn’t see his truck, didn’t look to see if I was in the main parking lot, unlocked the church and was also waiting patiently but beginning to get a little concerned.  Oh well.  But then we had a bit of a rush as I had to be elsewhere later, and I forgot to take photos of the setup.

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Paintings in office meeting room, Yucca Valley Presbyterian Church.  The red vertical assemblage piece on the bottom left is someone else’s work. 🙂 

 

Yesterday, Doug and I went to the church service – it being the only Sunday during my show that I wasn’t at a show.  Now I get to show you the show.  I got to meet a lot of people, talked about the possibility of teaching some classes at their location, and once again, I forgot to take pics of the two in the sanctuary.

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Paintings over the sofa in office meeting room, Yucca Valley Presbyterian Church.

 

Painful knees, no fingerprints.

Today I spent seven hours slaving away over a hard concrete slab.  Yes, the annual Indio Chalk Festival.  This year the festival was moved from outside the city hall to Miles Avenue a block away, and the street was blocked off.  I knew that I was being asked to do a much larger painting this year, and had in mind that I might do a triptych, though I had no clue what exactly I was going to do.  However, instead of being assigned a space, I was asked to pick one.  I had the choice of concrete or blacktop, and opted for a familiar surface, mostly in the shade.  The area I chose had four perfect squares with spaces in between, so I decided to use them all.  I wasn’t sure whether to do four seasons (like Vivaldi’s Window) or 4 times of day, like the painting I’m working on for my timelapse video (hopefully done in time for May’s newsletter) – so I did both.

And yes, tomorrow will be the best day of the year to commit a crime – I have no fingerprints – wore them off rubbing the chalk into the concrete.   Oh wait, I have a show in Indian Wells this weekend, and I ache everywhere, especially my knees.

Indio Chalk Festival painting

The Plan

Indio Chalk Festival painting

Winter Night

Indio Chalk Festival painting

Spring Morning

Indio Chalk Festival painting

Summer afternoon

Indio Chalk Festival painting

Fall Evening

Indio Chalk Festival painting

All four