The other half.

One of the silliest things I didn’t do on Wednesday when Christine Lamb was setting up her half of our show at the Glass Outhouse Gallery was to take some photos of her half of the gallery.  Yesterday at our reception I corrected that.

Christine’s Jewelry. Many of the items are made with upcycled denim.

We had a two-person bad perform for us Hunter and the Wick’d for the afternoon and had quite a few people drop by, or come in from the advertising.

I really like the painting on the right at the end wall.

I sold two small paintings and Christine sold some earrings and a clock.

Christine doing some inventory. The clock on the left didn’t last long!

I really fell for this little gallery and was quite jazzed to have been offered a last-minute show due to a cancellation.  The artist who was to have been at this show turned up.  She had cancelled because she had torn her rotator cuff on the side she uses a crutch – double whammy.  She was doing a lot better now and is looking forward to showing at another time.

Bookwork is so much part of our job!

I also got to meet Jaymie Arquilevich with whom it’s planned I’ll have a 2-artist show in 2018.

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Center for Healthy Generations.

Art and yardsale items. This is a first for me. I wanted to buy one of the hats, but I wasn’t allowed.

I was accepted to have a month-long solo show in what is considered an ‘alternative’ space – i.e. not a regular gallery. This is the Center for Healthy Generations in Yucca Valley. It’s quite an active center with a pretty full schedule of activities. When I arrived to hang my work, Darla, my handler – said there had been some dissent over the time of my hanging because they were setting up for an indoor yardsale on Friday.

That was the bad news,  the good news being that lots* of people would see my work. Right behind the yardsale items. I had to stand on the tables and tiptoe between the partially completed display of yardsale items to hang my work. Fortunately I did not stand on the hands of the lady below me trying to arrange items while I trod between them.

Then there’s space on the other wall for two large paintings. Here, my progress was hampered by the fact that a yoga class was in session and I had to wait until they’d finished before we could put the last two paintings up.

Yes, there’s going to be a lot* of people who see my work in the next month!

Yucca Valley Presbyterian Church

I’m always open to shows in unusual spaces.  I had the opportunity to show work in this church and had a silly thing happen when I went to set it up.  I had agreed to meet one of the deacons, David, at 9am on the appointed day.

Three little paintings surrounding the white board in office meeting room, Yucca Valley Presbyterian Church.

I arrived with 10 minutes to spare, so parked in the parking lot and got out and went round the church and confirmed he was not there – all doors were locked and mine was the only vehicle in the lot.  So I waited.  And waited.

Paintings in office meeting room, Yucca Valley Presbyterian Church.

Half an hour later I started to get concerned so I called him.  It turned out he had approached the church from the other side, parked round the corner where I couldn’t see his truck, didn’t look to see if I was in the main parking lot, unlocked the church and was also waiting patiently but beginning to get a little concerned.  Oh well.  But then we had a bit of a rush as I had to be elsewhere later, and I forgot to take photos of the setup.

Paintings in office meeting room, Yucca Valley Presbyterian Church.  The red vertical assemblage piece on the bottom left is someone else’s work. 🙂 

 

Yesterday, Doug and I went to the church service – it being the only Sunday during my show that I wasn’t at a show.  Now I get to show you the show.  I got to meet a lot of people, talked about the possibility of teaching some classes at their location, and once again, I forgot to take pics of the two in the sanctuary.

Paintings over the sofa in office meeting room, Yucca Valley Presbyterian Church.

 

Newer work #63

From one palm tree to two.  And a hotter morning, likely a summer morning, maybe August with a hot wet wind coming up from the gulf, and the sun about to heat it up some more.

#1243 Firestarter. Refractured watercolor on foamcore, 14×11″ in mat ready for a 20×16″ frame. $195.

Newer work #57

I loved the painting that ended up as this one and ‘Splashing Around’.  It was one of the harder ones to cut up because it came out so well, and the two resulting children are ones I will be sorry to see go to their forever homes.

#1236 “All the way”. Refractured watercolor on foamcore, 14×11″ with mat ready to frame to 20×16″. $195.

Newer work #54

Some cultures, I believe, regard birds as virtual angels, hence the name for this painting.

#1223 Approaching Angels. Refractured watercolor on foamcore. 11×14 matted to fit 16×20″ frame. $195.

Newer Work #49

#1228 Morning Thermals. Mixed media on pine panel. 17″ diameter. $300

The inspiration for the shape cut and name of this painting came from my neighbor who flies a powered paraglider, and who explains the reason he usually flies around sunset.  In the earlier parts of the day, different areas of land are heating up at different rates and exuding different warmths of air, creating undulating thermals.  We all see birds soaring on the thermals – apparently it is not as easy as you think to do this, especially when your primary mechanism of staying aloft is a slice of parachute, which could luff and collapse under the wrong air temperature gradient.