The Puppy project

Riverside Art Museum is holding a fundraiser called Art Bark in the Park to which I applied and was assigned a pup. I decided to paint the pup in oil – a skyscape with lawns on the bottom of each paw with dogs on, and my sonnet about dogs painted into the clouds.  So far I’ve done the sky and the lawns.  I will need to wait a week or so until that is dry enough to add the dogs and poems.  I didn’t know until I picked up the dog that I was getting a beagle.

The blank canvas. I’d had to fix the undercoat in a few places. The difference in undercoat color won’t affect the painting.

My fellow artist Mary Foote came over to see this as a demo so took some photos of me in action

I was showing Mary how to blend clouds in oil

Photographed this one at an angle to get the entire dog in.

And it’s possible to paint on the back, so I have another canvas to dream up!

Newer Work #87

It’s been a while since I posted a ‘newer work’.  Here’s one from a recent batch of smaller mixed media pieces.

“1391 Inexplicable”. 14×11″ on gallery wrap panel. Embedded poem is: Inexplicable – air, water, angle of light – fill our souls with joy.

Sonnet Challenge #33

I haven’t posted a sonnet in a while.  I was going to post one about hot flashes (seeing as I’ve been enjoying to the extent that I need to start laughing about it) but Andrew Eales’ post this morning reminded me about this sonnet:

Birdsong

It’s in man’s heart, because it’s in his head
to merge both words and music into song.
There’re places in our brains they both belong
together – feelings more than just what’s said.
But too, we wonder how that seed was sown
that made us lilt our words into a tune.
Was it the wolves a-howling at the moon
or cat’s meow, or buck’s loud rutting groan?
It’s much more likely that the sound above
that we sometimes call angels, were the trills
inspiring us to develop singing skills
to tell our stories, feelings, sadness, love.
Whatever was that singing that we heard
outside our souls? It was a little bird.

In the spotlight!

This morning I got an email from one of the art websites I work with – storiestoart.com.  This is a little different that most art websites – although they do offer artwork, they actively promote commissions both of artwork, poetry and songs.  And the staff have been wonderful people to work with!

I and another artist, Philip Lindsey, are the featured artists in this email.

Salton Sea update. Sonnet.

I often get asked about the Salton Sea. Whether it is still there. Yes, but a little smaller. I am looking at a mid to dark blue sea as I write this, sitting at my dining room table (the view is better than the wall in front of my desk), which means it’s pretty breezy out there. I love the fact that I can tell the windspeed by the color of the sea, and that sometimes one half of it will be dark and the other light. That when there is no wind, it is the same color as the sky.
This morning I walked down to the shore, such as it is, now perhaps a half mile of what will eventually be salt flats – some of it dry enough to walk on, much of it not, so I can no longer go to the water’s edge without ending up up to my thighs in fish guano.
I took a photo of the ‘reflecting pool’, which when I moved here almost fifteen years ago was full of water up to the far side of that little row of vegetation in the front.

When I returned I wrote this:

Shining Sea

Palm Springs to Yuma – not a hint of breeze,
the silence is so loud you’ll hear your heart
beat in your chest. Your breath will stop and start
as you behold the mirror Salton Sea’s
become on such a day. A piece of sky
stretched on the desert floor – cerulean rug
of knots so fine. And ’til a stop will tug
the air, that blessed earthly canopy,
and then that sea to ever deepening blue
then gray, then black with whitecapse, watch this glass
this polished surface thirty five miles vast
reflects the sky it lives under, to you.
On windless days, the Salton Sea shines most,
more than the oceans found on either coast.

Tales from the field #22

On Thursday I had to go over to Borrego Springs for an Art meeting.  I was held up by gazillions of wonderful visitors looking for the right place to stop to look at flowers.  Of course you can’t see flowers in detail when you’re driving at 55 – the speed limit along the S22 which for those non-locals is the only road between Salton City and Borrego Springs.

I don’t know what it is, but it’s one of my ‘private collection’ because I’m apparently the only person who goes where this flower is.

By the time I was late for the meeting, I’d composed this in my head and plan to put it on a sign at the corner of S22.

Superbloom

While you’re trolling for flowers at 20,
that vehicle that’s riding your ass
is a local that’s late getting somewhere,
so please let the tailgater pass!

Another nice little surprise

Yesterday I went to pick up my paintings from the Imperial County Fair.  I often enter about 10 paintings but this year only had four that fit the categories well (you can only enter two in each category).  I was pleasantly surprised to find that ‘Arrows‘ had won 3rd place in “Non-objective or abstract paintings, any media”, and “Hope Rising” had taken 1st place in the same category.

Following the county fair, one of our local museums, Pioneer’s Museum, hosts the first and second place winners in each category, so I had to run off to drop Hope Rising at its next venue.  My good friend Ginger Ryerson who curates the art wall there and the art shows was there for the intake.  Hope Rising is a heavier piece so I helped her hang it.

Just leveling it a little more….