It’s been a while since I posted a ‘newer work’. Here’s one from a recent batch of smaller mixed media pieces.
I haven’t posted a sonnet in a while. I was going to post one about hot flashes (seeing as I’ve been enjoying to the extent that I need to start laughing about it) but Andrew Eales’ post this morning reminded me about this sonnet:
It’s in man’s heart, because it’s in his head
to merge both words and music into song.
There’re places in our brains they both belong
together – feelings more than just what’s said.
But too, we wonder how that seed was sown
that made us lilt our words into a tune.
Was it the wolves a-howling at the moon
or cat’s meow, or buck’s loud rutting groan?
It’s much more likely that the sound above
that we sometimes call angels, were the trills
inspiring us to develop singing skills
to tell our stories, feelings, sadness, love.
Whatever was that singing that we heard
outside our souls? It was a little bird.
This morning I got an email from one of the art websites I work with – storiestoart.com. This is a little different that most art websites – although they do offer artwork, they actively promote commissions both of artwork, poetry and songs. And the staff have been wonderful people to work with!
I and another artist, Philip Lindsey, are the featured artists in this email.
I often get asked about the Salton Sea. Whether it is still there. Yes, but a little smaller. I am looking at a mid to dark blue sea as I write this, sitting at my dining room table (the view is better than the wall in front of my desk), which means it’s pretty breezy out there. I love the fact that I can tell the windspeed by the color of the sea, and that sometimes one half of it will be dark and the other light. That when there is no wind, it is the same color as the sky.
This morning I walked down to the shore, such as it is, now perhaps a half mile of what will eventually be salt flats – some of it dry enough to walk on, much of it not, so I can no longer go to the water’s edge without ending up up to my thighs in fish guano.
I took a photo of the ‘reflecting pool’, which when I moved here almost fifteen years ago was full of water up to the far side of that little row of vegetation in the front.
When I returned I wrote this:
Palm Springs to Yuma – not a hint of breeze,
the silence is so loud you’ll hear your heart
beat in your chest. Your breath will stop and start
as you behold the mirror Salton Sea’s
become on such a day. A piece of sky
stretched on the desert floor – cerulean rug
of knots so fine. And ’til a stop will tug
the air, that blessed earthly canopy,
and then that sea to ever deepening blue
then gray, then black with whitecapse, watch this glass
this polished surface thirty five miles vast
reflects the sky it lives under, to you.
On windless days, the Salton Sea shines most,
more than the oceans found on either coast.
On Thursday I had to go over to Borrego Springs for an Art meeting. I was held up by gazillions of wonderful visitors looking for the right place to stop to look at flowers. Of course you can’t see flowers in detail when you’re driving at 55 – the speed limit along the S22 which for those non-locals is the only road between Salton City and Borrego Springs.
By the time I was late for the meeting, I’d composed this in my head and plan to put it on a sign at the corner of S22.
While you’re trolling for flowers at 20,
that vehicle that’s riding your ass
is a local that’s late getting somewhere,
so please let the tailgater pass!
This sonnet has been something of a challenge – in that it is the first poem I’ve written in over three months. Some things been going on in life that just take the stuffing out of you sometimes.
A poet friend of mine, Larry Jaffe, once wrote a poem that all poets connect with. It had no lines, just a title: “I lost another f****** poem in the shower.”
I lost a poem in the shower today –
as water flowed, it ran right from my mind.
It formed and then the liquid washed away
the verse, leaving no residue behind.
I lost a poem driving down the street –
blanking my mind, the idea began to sprout.
I listened to it, it really was quite neat
but by the time I’d parked it’d fluttered out.
And in the doctor’s waiting room one time
I couldn’t find some paper fast enough
to get it down a pen and catch the rhyme,
my turn was called, it vanished with a puff.
And I’m sure there’s many a poet that has said
They’ve lost a masterpiece, snuggled in bed.
I was accepted as the ‘Artist of the Quarter’ at The Journal – an online literary magazine. I had applied as both a poet and an artist and was accepted in some sense, for both, because of the poetry in my painting. Here’s the link to the issue that contains my interview, though it is accessible from the front page also.