My client that I met at Calabasas had commissioned me to create a repeat of a small painting in a larger size for a space in the guest bathroom. He lives close enough to my other half that I was able to deliver. Here’s ‘Ron’s Red Morning’ in it’s place.
…to cut up a perfectly good watercolor skyscape and refracturing it into something more. This one is going to really hurt.
One of my students who enjoyed my watercolor collage workshop also mentioned that she has a Sizzix machine. This is a hand-run press with embossing templates. Immediately we both saw the possibility of adding this texture to my refractured watercolor work. Last week I created a new painting for a refracture:
… and yesterday when she was at sm’Art studio for a follow-on lesson to my Absolute Beginner’s class. she loaned it to me again to emboss the pieces I had cut. This is what they look like so far!
I’m looking forward to seeing how this works out when I assemble them. Watch this space!
Although I write poetry for my own paintings and have written poetry for the artwork of others, I had a first last month when one of the attendees at the reception at my joint show in the Glass Outhouse Gallery wrote a poem for one of my paintings. George Howell wrote the following poem for my painting ‘Dark Mist Arising‘:
For Jeni Bate
Our eyes align
Along the horizon,
Prisoners of our feet,
Firmly anchored to the earth.
And the sky is a sigh
Of promise and release,
The free range of cloud
You cut the skyscape
Into a stack of cards,
And rearranged the clouds
Here’s what’s happened and happening at Skyscapes in February.
“All the way” went to its Forever Home a few months ago. A couple days ago I was blessed with a pic of it in its new abode. We don’t get to see a lot of the surroundings, but it looks great in that frame.