The other half.

One of the silliest things I didn’t do on Wednesday when Christine Lamb was setting up her half of our show at the Glass Outhouse Gallery was to take some photos of her half of the gallery.  Yesterday at our reception I corrected that.

Christine Lamb at the Glass Outhouse Gallery

Christine’s Jewelry. Many of the items are made with upcycled denim.

We had a two-person bad perform for us Hunter and the Wick’d for the afternoon and had quite a few people drop by, or come in from the advertising.

Christine Lamb at the Glass Outhouse Gallery

I really like the painting on the right at the end wall.

I sold two small paintings and Christine sold some earrings and a clock.

Christine Lamb at the Glass Outhouse Gallery

Christine doing some inventory. The clock on the left didn’t last long!

I really fell for this little gallery and was quite jazzed to have been offered a last-minute show due to a cancellation.  The artist who was to have been at this show turned up.  She had cancelled because she had torn her rotator cuff on the side she uses a crutch – double whammy.  She was doing a lot better now and is looking forward to showing at another time.

Christine Lamb at the Glass Outhouse Gallery

Bookwork is so much part of our job!

I also got to meet Jaymie Arquilevich with whom it’s planned I’ll have a 2-artist show in 2018.

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A show goes up.

Yesterday I set up my side of the 2-person show at the Glass Outhouse Gallery in 29 Palms.  I was glad to meet my fellow artist Christine Lamb and her husband Ray (who is also a painter), who turned up to hang her half of the show just as Frank (one of the gallery owners) and I had finished.  I’m kicking myself that I didn’t take a few shots of her work as it was going up (Ray and I got to talking about single-pigment oil paints), but I’ll do so after the reception on Saturday.  If you’re in the area – please, we’d love you to attend, it’s 1-5pm January 6th (and I’m going to be making olive and cream cheese penguins!).   If not – please reblog this if you have friends/followers who are.  The show will be up until January 28th.

 

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Cloud Appreciation Society Newsletter

I always love getting this newsletter whenever Gavin gets to writing one.  The vacations sound a little cold for this desert rat, but the necklaces and earrings on the ‘Buy Cloud Jewelry‘ page look like I might need to sent Santa some fake news about how good I’ve been this year….

How good? My cloud painting ‘The Road to Selfoss’ is on the front page of their website this month.   That’s not fake news!  It was painted from a photograph by my good friend Murray Foote.

Yucca Valley Presbyterian Church

I’m always open to shows in unusual spaces.  I had the opportunity to show work in this church and had a silly thing happen when I went to set it up.  I had agreed to meet one of the deacons, David, at 9am on the appointed day.

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Three little paintings surrounding the white board in office meeting room, Yucca Valley Presbyterian Church.

I arrived with 10 minutes to spare, so parked in the parking lot and got out and went round the church and confirmed he was not there – all doors were locked and mine was the only vehicle in the lot.  So I waited.  And waited.

Paintings in office meeting room, Yucca Valley Presbyterian Church.

Paintings in office meeting room, Yucca Valley Presbyterian Church.

Half an hour later I started to get concerned so I called him.  It turned out he had approached the church from the other side, parked round the corner where I couldn’t see his truck, didn’t look to see if I was in the main parking lot, unlocked the church and was also waiting patiently but beginning to get a little concerned.  Oh well.  But then we had a bit of a rush as I had to be elsewhere later, and I forgot to take photos of the setup.

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Paintings in office meeting room, Yucca Valley Presbyterian Church.  The red vertical assemblage piece on the bottom left is someone else’s work. 🙂 

 

Yesterday, Doug and I went to the church service – it being the only Sunday during my show that I wasn’t at a show.  Now I get to show you the show.  I got to meet a lot of people, talked about the possibility of teaching some classes at their location, and once again, I forgot to take pics of the two in the sanctuary.

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Paintings over the sofa in office meeting room, Yucca Valley Presbyterian Church.

 

Newer work #58

Yes, it’s true that you need clouds to add a lot of color to the morning.  Here, I’ve also added cloud shapes to the theme.  This is one of the reasons, when I’m running a watercolor collage workshop, I tell people that after I create a refractured watercolor, there’s almost*** always pieces left over.  This is one of the structures where there isn’t.  A 24×18″ watercolor only just* makes a 14×11″ refractured watercolor in cloud shapes.

Refractured watercolor painting

#1237 Cloudy Morning. Refractured watercolor. 14×11″ in mat ready to frame to 20×16″ $195

Newer work #57

I loved the painting that ended up as this one and ‘Splashing Around’.  It was one of the harder ones to cut up because it came out so well, and the two resulting children are ones I will be sorry to see go to their forever homes.

Refractured watercolor painting

#1236 “All the way”. Refractured watercolor on foamcore, 14×11″ with mat ready to frame to 20×16″. $195.

Newer work #56

This one harks back to ‘Fishing Buddies’ – a painting purchased by a guy I met at a crazy art show in Yorba Linda.  We became friends after another couple commissions from the vacation he’d just returned from.  Within the year we were dating and still together 10 years later.  I guess I was thinking about him when I painted the foreground on this one.

Refractured watercolor painting

#1235 The King of Patience. Refractured watercolor on foamcore, 11×14″ matted to fit 16×20″ frame. $195.