Newer work #122

I’ve been posting on Instagram, and sadly neglecting WordPress. Still haven’t found a way to get this to flow into Instagram, once I do, all will be well!

#1463, Storm with Seven Palms. Oil on gallery wrap canvas. 18×24″.

Grey Cube Skies show

I was pleased to be accepted into the Grey Cube Gallery Skies show recently, with my refractured watercolor ‘Crimson Thread’. One of the things I’m enjoying about so many online shows is that it’s really practical for me to enter them! Enjoy the show!

Unfortunately the contest doesn’t allow you to see the sonnet in the painting: Crimson Thread
The world is turning into dawn, and I
can see a crimson thread start to appear
announcing that the newest day is near –
it makes me greet the beauty with a sigh.
Soon the ribbon’s red will turn to gold
and other wisps softly to scarlet turn –
water, under influence of light will burn
such colors that it awes us to behold
the transition from nighttime into day
and cause to wonder how we could deserve
this vision – just for living on a curve –
and leaves us without words that we can say,
only the thought that perhaps we should do right
to earn the reward that brings the end of night.

4th Annual Skies Exhibition

It’s my pleasure to announce that one of my paintings was accepted into the 4th Annual Skies Exhibition with Fusion Arts. I guess I have been working with Fusion for quite a while as I was accepted in the 3rd Annual also. And further joy, as they’re local to me, I was able to meet them a couple years ago – back when we met people IRL!

Anyway, enjoy the virtual exhibition HERE.

Monthly Newsletter

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#1451 “New Wave” 8×10 acrylic on canvas.

I have a tree painted on the back of my garage with leaves made from pieces of soda cans, stapled loosely so that they rustle delightfully in the breeze.  Against the trunk is painted ‘The wind of change may not blow you someplace different but it might shape you into something more beautiful’. 
I write this on the cusp between the Covid shutdowns and the George Floyd riots.  Many businesses have been shuttered so long they may not survive.  Some have been so impacted by the new health restrictions imposed on reopening, they have given up.  Now we see others burned or looted out of existence and yet others may be unwilling to continue in some neighborhoods. 
I have a friend who has been through several careers.  She describes the changes as getting to a point where she needed to reinvent herself.  This year it seems many will need to reinvent themselves or make adjustments to how they live or work. 
One of the adjustments I’ve been considering is to make some work more easily shippable, so it is less prohibitive to sell online.  I decided to experiment a little with refractured acrylics on canvas; lighter weight than panels, but also a different medium for the refractured part.  The first experiment (above) was relatively successful. 
Another couple items that came out of spending time at home was an update to ‘Busting the Bard’.  This is now available in paperback and kindle from Amazon.  And the fourth poetry and painting book ‘My Next Breath’ is close to being complete. (Click here for links.)  It is available as a paperback but my proofreader and the person writing an intro on the back have yet to have time to do this, so there will be an update hopefully by the end of this week and I’ll create the kindle version then.    I’ll order hard copies once art fairs restart or other outlets need restocking, but if you’d like to get a signed copy let me know.
 
I will have work in two online shows:
Jun 6-Jul 12: 6x6x2020 Online fundraiser for Rochester Contemporary Art Center
Jun 2^nd-Aug 30^th (approx) The Planet of Joy at Lark Gallery Online.  This may develop into a physical gallery show next month and I should be on a Q&A Virtual Art Talk on Zoom soon.  I’ll send another email when this is set.

Newer work #99

This is the last of a series of collages available in mats.

#1427 Fit Together. Watercolor collage on foamcore, 7.5×5.5 in mat to fit 10×8″ frame. $45.
Includes the words “It will all fit together beautifully”.

Newer work #96

Pretty apropos of the current situation.

#1424 “Without Darkness”. Watercolor collage on foamcore, 7.5×5 in mat to fit 10×8″ frame. $45, free shipping.
Contains the words “Without darkness we would not appreciate the light.”

Monthly newsletter

Here’s April’s monthly newsletter.  Despite the fact that all shows and classes are cancelled there’s always something to do around the studio!  More spider tomorrow!!!

Sunrises and Sunsets

I had a painting accepted in the Sunrises and Sunsets Art Exhibit, held by Fusion Arts.  There’s no excuse for not seeing this exhibit, despite the current closure of most facilities, because it’s online.  Happy to see that my friend Diane Morgan won one of the awards.

Monthly mailing

I thought I’d try this way of reposting my Monthly Newsletter.  Nope, my html isn’t good enough to get rid of the squares…..

 

View this email in your browser There are many ways in which government can get involved in art, aside from their involvement in the creation of public art.  I had two such significant encounters in the last month, one negative and three positive. The first positive encounter was somewhat by proxy.  Ontario Airport has a few display cases in the concourse where the art of regional artists is displayed.  I was very happy to be informed recently that my application to show work there was approved and on Feb 19th five of my paintings were installed via the intermediary of Chaffey Community Museum of Art.  The paintings will be there until mid August. Art fair promoters have to work with local authorities on the locations for art fairs and any permits that are required, rules to be followed and registrations of individual artists to be processed.  I’ve done hundreds of fairs over the last decade and one of my favorites is in Palm Springs.  A few years back we had an issue where the city decided to move our venue from the center of town (loads of foot traffic and drive-bys to supplement our other advertising) to the civic center for the following season.  We appealed to the council and they relented. A few weeks ago our promoter commented that the permits for the two March shows hadn’t been approved yet.  We protested further and pointed out that the reason they’d given was no longer an issue.  Then more burning hoops were given.  This from an eblast from West Coast Artists: After meeting with the City of Palm Springs’ Special Event Team today here are the new requirements for the Desert Art Festivals. Loading: We are allowed to reserve 7 parking spaces in the small parking lot for loading at the end of the event. We are to stagger the loading process so that all of the 60 artists use those 7 spaces. There is no parking on Alejo and no parking on Palm Canyon Drive for the purpose of loading. We are not allowed to close the parking lot for loading or unloading. Cross Walks: We are to have crossing guards at the crosswalks because some people neglect to push the button for the crosswalk. This is perhaps a safety issue? Parking Attendants: We had contracted with the property owner across the street from the park, 4 acres, and we must have Community Service Officers patrolling the lot and showing people how to park during the event. Two officers at $55.00 an hour. Police Presence: We are required to have 2 Palm Springs Police officers at the event on Saturday morning for a minimum of 4 hours to make sure everything runs smoothly.  Traffic Plan: We are required to have a Traffic Plan for the parking lot across from the park where we intended to have Patrons park. The spaces in the dirt lot should be delineated so that people know how to park…. After all of these new requirements and the fact that the City Manager, Mayor, and several of the City Council Members have made untrue, disparaging remarks regarding the event to the public, I can’t help but feel like they do not want the Desert Art Festivals in Palm Springs any longer. After the meeting in Palm Springs, I attended the meeting in Rancho Mirage. They have welcomed us with open arms and are going to push the Permit application through the City at an accelerated pace.  At The River in Rancho Mirage management had very few requirements. They have opened up their facility and are very excited to welcome our events. Our events are actually WANTED in the City of Rancho Mirage. The comment was “We would love to take the events from Palm Springs!” Later on it became apparent that The River were not able to accommodate us on the 21st/22nd due to an existing event scheduled, but Indian Wells welcomed us back too, for that weekend.  Not all cities are the same! Here’s my schedule for the month: Fairs: Mar 7th: 29 Palms Art Gallery Spring Art and Craft Fair, 29 Palms, CA. Mar 14th: “Art on Main St“, Old Town La Quinta, CA Mar 21-22nd: Desert Art Festivals, Indian Wells, CA  (Their website might not be up to date yet, it’s on the corner of Cook and 111). Mar 28th: “Art on Main St“, Old Town La Quinta, CA Shows: Feb 2020-Aug 2020 Ontario Airport.  Show case at terminal displaying 5 mixed media paintings. Mar 2nd-26th: Artists 55+.  Walter N. Marks Center for the Arts, College of the Desert, Palm Desert, CA. Reception March 10th 5-7pm Mar 5th-22nd: 29 Palms Guild Members Juried Exhibition. <29 Palms, CA.  Reception  March 7th, 5-7pm.  Classes: Mar 19th: Painting for Absolute Beginners, Borrego Art Institute. $110.  Contact me to book.

Glass Outhouse Gallery – ‘Fleeting Passions’

A few years ago I was introduced to the Glass Outhouse Gallery in Wonder Valley – just east of 29 Palms.  It is in the middle of nowhere, even more than I am, and has a small gallery where Laurel and Howard hold month-long 2-artist shows, and a sculpture garden made of recycled material art, created by Howard.

Four skies in the Glass Outhouse Gallery

I had a show there a few years ago with my Mixed Media work and am scheduled to have another show there with that medium in January 2021.  Yes, artists do plan ahead.

The cart shows that this is a hanging day.

As I have another body of work and enough Mixed Media to run two shows concurrently, I’m on their ‘waitlist’.  A list of artists who, in an emergency can put together a show in a couple days.  Last week I got the call.

The outgoing artist hadn’t picked up her work yet.

I had planned to take my oils and acrylics to the show in Monrovia this weekend, but with a quick call I managed to get that changed and this body of work was available for the month.

Nice little row, the last 4 ‘diamonds’

My fellow artist is Tami Wood.  We both joked that our names are two four-letter words.  Her work is made exclusively of recycled materials.  We’ve called our show ‘Fleeting Passions’ because we both explore ephemeral aspects of our environment.

And room for the bin, that holds paintings I did in or for paint and wine evenings that I’ve taught.

After the show in Newport I brought everything up and hung the show.  Howard will pin up the prices later.

I’m surprised the one on the left hadn’t sold at Newport, it had a lot of interest.

Because of existing commitments (Monrovia), I can’t be at the reception but Tami will handle that and I’ll do my share of gallery sitting during the month.

The painting on the right is one from my house – I’m down to the last few oils and acrylics and am selling at discount prices!

What I didn’t realize until I told another friend in 29 Palms about the late arrangement, I’d scored a show during the Highway 62 Art Tour – three of the four weekends in October, and the Glass Outhouse Gallery is one of the stops.  Wow, I’m sure glad I decided to go for it!

Almost exactly the right amount of space, there was only one suitable painting I didn’t put up!

I feel bless that because of various issues outside of my scope, I now have a show with both bodies of work on the Highway 62 tour – I have Mixed Media work at the High Desert Medical Center!