October Monthly mailing

Here’s my monthly art news for October.

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Article about the Salton Sea

I had heard that Bombay Beach is such a close-knit community, it’s one of the last places that you can let your kid run the streets in safety, but I had not realized it was becoming such an artists’ community. I guess they reach out to LA artists more than local ones…..

Here’s the full article on the Palm Springs Life website.

 

July’s monthly newsletter

One of the highlights of this month’s Skyscapes newletter is the honorable mention in an international ‘Skies‘ competition.

 

Zooming back

Have been away for awhile so no blogging.  This time that I flew to Heathrow, I took United, so I ended up in Terminal 2, whereas it seems just about every other airline that flies out of LA uses Terminal 3.  So, on the way home, I had time to seek out some of the artwork at this terminal.  Slipstream is a huge sculpture that occupies a massive covered area between the terminal and the buses/taxis area.

aluminum sculpture slipstream

“Slipstream”

The associated sign says a little more about it, and there’s yet more information here.  I don’t see any information about material, but it seems to be made of aluminum.  Or aluminium, if you use the local dialect. Sadly, despite the enticing shape, we’re not apparently allowed to slide on it.

slipstream_sign_w

Indio Chalk Festival, Day 4 – the results

It didn’t rain at my house overnight on Saturday. However when I got to Indio, I found that there had been two hours of steady good rain there. Ugh. The city people had gotten there a little earlier and removed all the tarps to let the paintings dry. They needed to be dry before we could start on repair work, so we had a little time to commiserate between each other before we could start. Rafael’s painting – Lincoln, and Bijan’s painting (we think we read each others’ minds when we came up with such similar design ideas) had the most damage.

Indio Chalk Festival

Some damage to the right hand corners and both hands that required a little rework. The throat dried out fine. The wash marks on the ocean wrist I just incorporated.

Indio Chalk Festival

There were still puddles around 9:30am

Indio Chalk Festival

Lincoln needed a nose job.

Indio Chalk Festival

Bijan’s tarp leaked, causing a lot of damage on the neck and into the clouds.

Indio Chalk Festival

Repair work done, just in time for the judging. Except that about 2 minutes before Kathy came by, a woman let her 3 year old run through the painting. Then yelled at me for chiding him!

Indio Chalk Festival

The last competitor finished later in the day.

Amateur entries continued throughout the day, to the extent that there was so much judging for Kathy Dunham to do that the awards ceremony was about 40 minutes late. Here were the results in the professional category. The prizes were $2,500, $1,500 and $1,000.

1. Bijan Masoumpaneh
2. Rafael Valencia
3. Jeni Bate

Indio Chalk Festival

The artist as part of the environment. 8’x8′, chalk on blacktop. (Photoshopped to be vertical, though you can possibly now see some of the foot damage.)

 

Indio Chalk Festival, Day 3.

I awoke to a cloudy sky.  There had been a forecast of possible overnight rain, and I had put a tarp over my painting, though it was not big enough and I could only tarp about 60% of the finished part.  As I was starting to get ready to leave, it started to rain.  There wasn’t any time in which to hurry any faster.  It rained a little as I drove the 40 miles to Indio.  When I got there, Mamun (the city planner) was walking out to the parking lot.  He said to me ‘It rained hard here overnight, it’s a disaster, it’s all gone.’  $%&#$%^. Then he confessed he was joking.  $%&#$%^, Mamun!

We did have some sprinkles during the day, much of the morning I had most of my work tarped, even under the canopy.  It cleared up in the afternoon, though there is still a forecast of rain overnight.    Here’s the progress.

Indio Chalk Festival

Some clouds and a bit of space going in.

Indio Chalk Festival

All the sky is done now.

Indio Chalk Festival

Here come the clouds – in more ways than one.

Indio Chalk Festival

I’m hiding it from the rain here, some is blowing in under the canopy.

Indio Chalk Festival

Space is finished, now to add space objects.

Indio Chalk Festival

All done except for those cracks I found I can fill with chalk easily

Indio Chalk Festival

Some of the crowds, some of the clouds. It actually got a lot** busier than this, but I was busy at that time.

Indio Chalk Festival

Totally finished. “The artist as part of the environment”. 8’x8′, chalk on blacktop.

Let’s go check out some of the competition.

Indio Chalk Festival

Competitor 1

Indio Chalk Festival

Competitor 2

Indio Chalk Festival

Competitor 3

Indio Chalk Festival

Competitor 4

Indio Chalk Festival

Competitor 5

Indio Chalk Festival

Competitor 6

Indio Chalk Festival

Competitor 7

Indio Chalk Festival

Competitor 8

Judging is at noon tomorrow, but we have to be done by 10am.

 

Indio Chalk Festival, Day 2.

I’ll just post the pics to show the progress.  It’s hard to type, my fingers are so sore and rough!

Indio Chalk Festival

About 11am 350 fellow chalkers arrived from local schools. These are just a few of them.

Indio Chalk Festival

One of the city photographers was kind enough to take a pic of me working on my phone.

Indio Chalk Festival

The trees/fingers and veins/rivers are now complete.

Indio Chalk Festival

Underpainting for the ocean.

Indio Chalk Festival

Ocean/hand complete with waves rushing to shore/shoulder. I used one crack in the blacktop as the area behind a wave in order to minimize the impact. Couldn’t think of how to do anything with the others.

Indio Chalk Festival

I started adding the hair/sky/space at the bottom, but then clouds came and I decided to take advantage and work on the top of the painting, as I can’t shade that part with the canopy.

Indio Chalk Festival

Yellow on top, black/blue under and sore underneath that.

Indio Chalk Festival

An inspector came by.

Indio Chalk Festival

I decided to end the day by blocking in the transitions of the sunrise part of the hair as a guide for tomorrow.