I’ve been posting on Instagram, and sadly neglecting WordPress. Still haven’t found a way to get this to flow into Instagram, once I do, all will be well!
The title of this painting is ‘And Never Leave…’ I’m glad to say that it has found its forever home with one of my favorite collectors!
Dawn off my back porch (there’s a new one every day but few look as good as this one). The poem written for this painting and painted into it is:
To step into a place and just belong
to stand within a sky and to believe
to raise your head, look up and to behold
and never leave, and never leave, and never leave.
A few years ago I was introduced to the Glass Outhouse Gallery in Wonder Valley – just east of 29 Palms. It is in the middle of nowhere, even more than I am, and has a small gallery where Laurel and Howard hold month-long 2-artist shows, and a sculpture garden made of recycled material art, created by Howard.
I had a show there a few years ago with my Mixed Media work and am scheduled to have another show there with that medium in January 2021. Yes, artists do plan ahead.
As I have another body of work and enough Mixed Media to run two shows concurrently, I’m on their ‘waitlist’. A list of artists who, in an emergency can put together a show in a couple days. Last week I got the call.
I had planned to take my oils and acrylics to the show in Monrovia this weekend, but with a quick call I managed to get that changed and this body of work was available for the month.
My fellow artist is Tami Wood. We both joked that our names are two four-letter words. Her work is made exclusively of recycled materials. We’ve called our show ‘Fleeting Passions’ because we both explore ephemeral aspects of our environment.
After the show in Newport I brought everything up and hung the show. Howard will pin up the prices later.
Because of existing commitments (Monrovia), I can’t be at the reception but Tami will handle that and I’ll do my share of gallery sitting during the month.
What I didn’t realize until I told another friend in 29 Palms about the late arrangement, I’d scored a show during the Highway 62 Art Tour – three of the four weekends in October, and the Glass Outhouse Gallery is one of the stops. Wow, I’m sure glad I decided to go for it!
I feel bless that because of various issues outside of my scope, I now have a show with both bodies of work on the Highway 62 tour – I have Mixed Media work at the High Desert Medical Center!
I was happy to learn recently that in the 3rd Annual Skies Art Exhibition at Fusion Arts I received an Honorable Mention for the painting below.
I’m happy I was accepted into this online exhibition and received an Honorable Mention. The couple who run this are local and I’m hoping that at some point I will be included in the in-gallery shows.
The 3rd Annual Skies art exhibition is now open. Thanks to all the artists who participated and congratulations to the winners and finalists including Best in Show winners, James Griffin (Traditional), Pavlos Evangelidis (Photography & Digital) and Diana Fernández (3-Dimensional). Click HERE to see the exhibition. Also visit our YouTube Channel on September 8th to see the exhibition videos.
Riverside Art Museum is holding a fundraiser called Art Bark in the Park to which I applied and was assigned a pup. I decided to paint the pup in oil – a skyscape with lawns on the bottom of each paw with dogs on, and my sonnet about dogs painted into the clouds. So far I’ve done the sky and the lawns. I will need to wait a week or so until that is dry enough to add the dogs and poems. I didn’t know until I picked up the dog that I was getting a beagle.
And it’s possible to paint on the back, so I have another canvas to dream up!
Yesterday at Vanguard Gallery in Moreno Valley, I hung the (mostly) plein-air art of four ladies who love to paint scenes around Catalina Island. Terry d.Chacon, Joan Coffey, Patricia Rose Ford and Nita Harper. There was quite a lot of artwork and it was a feat of engineering and organization to get as much of their wonderful work in as possible. Their reception is on November 10th, 3-6pm.
Sometimes you can just answer a simple question with the first honest – and incomplete – answer.
Here’s my monthly mailing that explains why art forms can be so interwoven.
Umber sunset is painted from one of the most unusually colored skies I’ve ever seen. A dust storm created a dark brown swirling foreground, (rather than the usual beige-out we get when we get a haboob coming through), with creamy gold clouds poking through at the back. I also created a refractured watercolor from this scene. Sadly the 10′ tall creosote bush that stars in the bottom corner is no longer there, it was uprooted when George’s house was built.