A thousand words…

A couple days ago one of my Absolute Beginners students came to the studio for some follow-up lessons.  She had been practicing in the intervening year and had also bought some books containing lessons.  They were fine books and she had learned a lot from them as you can see from the work she produced that she showed me.

Student watercolor work

Some of this students work. Yes, I know it’s a photoshop together, just couldn’t get the right angle for a table-top shot.

Nevertheless, if a picture is worth a thousand words, and a youtube video a million, then sometimes a little bit of extra in-person instruction is priceless. Sometimes I’ve shown students the difference between the brushstrokes they’re making and what they need to do to get the effect they’re aiming for by making the two types of brushstroke on their inner arm. Often it’s also picking up on the slight difference between to two in order to guide them.

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Forever Home

Refractured watercolor painting

#1236 “All the Way”.

 

 

“All the way” went to its Forever Home a few months ago.  A couple days ago I was blessed with a pic of it in its new abode.   We don’t get to see a lot of the surroundings, but it looks great in that frame.

Student progression.

About 15 months ago, ‘Jo’ took my absolute beginner’s class.  Earlier in the month, she took the class again, not having painted very much in between.  One of the things that I ask at the beginning of the class is what the student hopes to get out of it.  It can help me tailor the class a little to hopefully cover any specific items. In this class Jo was lucky in that she was the only one, so we got to discuss her progress a little more.

She had indeed painted the day before, using watercolor crayons.  The papers were tiny piece of printer or drawing paper – not the best surface.  Jo expressed that she had had difficulty making out what she had painted afterwards and had ended up using ink to define the items painted.  Towards the end of the afternoon, after the standard Shadows exercise, we looked at Jo’s paintings and I thought we could tackle one of them as a larger watercolor and make a more realistic painting.

Working a little larger does help.  This time we used watercolor paper (Canson 140lb cold press) – about 12×9″.  I drew a quick value sketch first on a scrap to outline some of the changes that we would make to make the little barrel cacti look more round, and the rocks “rocky”.  The main adjustments were addition of shadows/shading to bring out the shapes of the cacti and rocks.  I suggested a simple blue sky/purple hills/sandy mid-ground behind the cacti in order to make them stand out from it, rather than a green one of a similar tone.  The cacti flowers didn’t come out as well as hoped – I’m not by nature a floral painter and they were a little on the small side to do much more with than a bit of impressionism.

Jo said her husband thought everything she painted was wonderful, but when he came to pick her up after the class and we showed him the before and after, there was no faking those eyebrows shooting skyward.  Here’s the before (on the right! 🙂 ) and the after.

After and before cactus paintings

Monday’s cactus painting on the right, and Tuesday’s redo with Absolute Beginners class and a little individual guidance.

Tomorrow…

… the cigarette machines refurbished as Art Vending Machines will be revealed….

The other half.

One of the silliest things I didn’t do on Wednesday when Christine Lamb was setting up her half of our show at the Glass Outhouse Gallery was to take some photos of her half of the gallery.  Yesterday at our reception I corrected that.

Christine Lamb at the Glass Outhouse Gallery

Christine’s Jewelry. Many of the items are made with upcycled denim.

We had a two-person bad perform for us Hunter and the Wick’d for the afternoon and had quite a few people drop by, or come in from the advertising.

Christine Lamb at the Glass Outhouse Gallery

I really like the painting on the right at the end wall.

I sold two small paintings and Christine sold some earrings and a clock.

Christine Lamb at the Glass Outhouse Gallery

Christine doing some inventory. The clock on the left didn’t last long!

I really fell for this little gallery and was quite jazzed to have been offered a last-minute show due to a cancellation.  The artist who was to have been at this show turned up.  She had cancelled because she had torn her rotator cuff on the side she uses a crutch – double whammy.  She was doing a lot better now and is looking forward to showing at another time.

Christine Lamb at the Glass Outhouse Gallery

Bookwork is so much part of our job!

I also got to meet Jaymie Arquilevich with whom it’s planned I’ll have a 2-artist show in 2018.

A show goes up.

Yesterday I set up my side of the 2-person show at the Glass Outhouse Gallery in 29 Palms.  I was glad to meet my fellow artist Christine Lamb and her husband Ray (who is also a painter), who turned up to hang her half of the show just as Frank (one of the gallery owners) and I had finished.  I’m kicking myself that I didn’t take a few shots of her work as it was going up (Ray and I got to talking about single-pigment oil paints), but I’ll do so after the reception on Saturday.  If you’re in the area – please, we’d love you to attend, it’s 1-5pm January 6th (and I’m going to be making olive and cream cheese penguins!).   If not – please reblog this if you have friends/followers who are.  The show will be up until January 28th.

 

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Monthly newsletter

This month is shaping up to be really interesting – as you can read in my Newsletter.

One of the things that I didn’t mention is that I’m also involved in curating another solo show at the Vanguard Gallery, this time for long-time associate Nick Foschi.   I’ll get to hang two shows in two days.  About 50 linear feet for Nick and about 7 for me!  Just hoping that my flu symptoms wane enough to give a demo/talk on Wednesday evening in Redondo Beach.

Nickpainting

Abstract Painting by Nick Foschi.